视频简介
DI Humphrey Goodman and his team are back solving increasingly puzzling murders on the beautiful island of Saint Marie - from a body on a volcano to a two-part story which takes the team to London. But it’s not just the crime which is troubling Humphrey - as his relationship with Martha blossoms, will the course of true love run smoothly? Meanwhile the team are concerned for Se...。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。一位名叫于淑敏的老妇人，独自前往医院探望因中风住院的丈夫。在路上，她面临了一系列挑战：繁忙的交通、不会使用地铁设备，以及意外丢失保温桶等。这些困难不仅考验了她的身体，也让她深刻感受到老年人在现代城市生活中的无助与孤独。尽管如此，于淑敏始终怀揣着对丈夫的深切牵挂与爱，鼓起勇气，一步步克服重重障碍。最终，她抵达医院，为老伴亲手喂上温暖的鱼汤。故事的尾声，两位老人手牵手走在冷暖色调分割的楼道里，象征着人生的来处与去处，引发“生从何处来，死向何处去”的终极生命拷问。反映了人生只是匆匆过客,生即寄,死即归的深邃智慧。。